Last night I watched / played / participated in what is undoubtedly the best immersive theatre work I have ever come across: The Justice Syndicate at Battersea Arts Centre. In brief, 12 audience members sit around a table as ‘jurors’ and proceed to review evidence in a case, discuss their thoughts and then go on to cast their vote of “Guilty” or “Not-Guilty”. Apart from highlighting the flaws in the judicial system (or are they flaws?) the work brings to the fore the nature of decision making itself, and especially the dynamics of decision making within a group of people. At the end of the performance the neurologist, who advised the company in the making of the work, talked through the particular patterns of decision making that have been observed in this work. A key point was the interplay between intuition and reason in the making of decisions.
Dr Kris De Meyer explained that intuition is like an elephant and reason is a small rider sitting on the elephant’s back. What most people would like to think is that their decisions are governed by reason, who tells the elephant where to go. But in fact this is seldom the case. For most of us the elephant is calling the shots, with the little rider on top making up stories for why the elephant is moving in one direction or another. To take the reins back into reason’s hands involves an active engagement with a different perspective, causing moments of dissonance. It is interesting to note that neither reason, nor intuition are necessarily right or wrong. Ignoring intuition can be just as harmful to us as ignoring reason. De Meyer pointed out the significance of this in the current political climate, where an in / out vote on the EU, led to entrenchment on both camps and a thoroughly divided UK.
Our ability to disrupt our patterns of choice, to embrace the uncertainty of not knowing, of accepting our own fallibility, our inclinations towards manipulation and coherency. To really see ourselves. These are all aims of the solo practice I am developing, using the process of disruption as an awareness generating tool. The aim is not to hang in perpetual uncertainty, but to understand why we make the choices we make, not just as artists but as individuals.